Posts

The Project of Morgenrot and "Unter dem Beton"

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 In 2010 I finally decided that Gothic Rock was dead. I mean dead. It simply did not make any sense to put something out in that kind of musical genre at all. Although the songs I wrote at that time would clearly be easy gothic rock pieces, the production became much poppier. Furthermore I was tired to doing shows as, basically, things had stalled for CREAMVIII here.  I thought about going in production or doing soundtrack work. Finally met a young singer who wanted to get out of her band and do recordings with me. I produced 4 tracks that would be much more in the vein of electropop and decided to name that project "MORGENROT". Well, when I sent her the demos with my voice over it, she was very excited, but obviously was told that in the music business, there are lot of creepy old men, hunting down young innocent girls for their perverse pleasures and decided to talk to me only through her "manager", which obviously had talked her into this. Well. In the end, this ...

Never meant to be the two of us (fragment)

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  Never meant to be the two of us (fragment) I think this is the end I do believe There will be no salvation no us. And all I have to do Is break the seal Of all the things that had been locked If my imagination Could make it real Could make reality Come true Come real I would tell all my words Right to you It would be real forever It would be right For you And my hands wanted to touch your face The endless beauty of your face, your face. And my thoughts will always be with you. The endless beauty of you, of you, of you. The endless grace. And now we lie together In dust-stained sheets In memory together In memory And now we sleep together A final sleep In memory together Your memory And my hands wanted to touch your face The endless beauty of your face, your face. And my thoughts will always be with you. The endless beauty of you, of you, of you. The endless grace. c&p 2025 by Boris Brosowski

The Cold Air

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THE COLD AIR C&P B. Brosowski 2025 I will delete this section. I will be free forever from, from the chain I will confide in my reaction. I will suffer to this day from the pain. From the pain From the pain It's a cold, cold web I'm living in. It's a cold, cold trap Where I have been. It's a cold, cold lie That I have lived. And it's the cold, cold air I'm breathing in... This is the path I will be going. This is the way my fate wants me to go. And I will swim with waters flowing. And if I drown, I know that fate will know. To all that shines and your reflection That sends me deep into worlds beyond my fears. All that returns from the transactions Will lead me to this place around the shredded tears. Beyond my Fears It's a cold, cold web I'm living in. It's a cold, cold trap Where I have been. It's a cold, cold lie That I have lived. And it's the cold, cold air I'm breathing in... You came so far. So here is an extended version for yo...

CREAMVIII "Go Faster!" and TSU! "Burning Town Revisited" -- MCs announcement and short preview....

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  resurrec. is proud to present two new MC's by Boris Brosowski's CREAMVIII and TSU!. In March 2025 both MCs will be released with CREAMVIII's "Go Faster E.P." containing 6 tracks on a MC-30 and TSU! "The Burning Town E.P. Revisited," containing 10 tracks on a MC-40. Both recordings will not be made available digitally. So be sure that you have a working cassette player ready to go to listen to them. In this post, we take a closer look at the new CREAMVIII "Go Faster E.P.". It will be a limited and numbered release of 50 pcs. The first 10 will come with a copper-graved hand-producded print of the cover, signed and numbered. If you want to obtain these, please get into contact with CREAMVIII via facebook or (bandname) @googlemail.com. You will then be informed about payment and processing of your order. All MCs will cost the same: 9€ each plus p&p according to the country. First come, first served.  For both MCs one song (each) will pe put ...

RAMMSTEIN, KMFDM & CREAMVIII, Better than the Rest

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 After putting out the "Touching Ground E.P." I was not sure where CREAMVIII should go. As indicated by the name changes, the solo project cream8 had become the band CREAMVIII after (!) the recording of THE EMERALD TOUCH. Demands were high to put together something for live performances, as Zillo Magazine had promised us to feature us on the next Zillo Festival. Which did not happen. Anyway. Sascha Lecher, who had helped me with his guitar, decided to leave his band and join me. We auditioned some bass players, out of which Jochen Autschbach was the one we personally liked the most and who was technically the best. We did some crazy shows in crazy clubs, and these are the things old men are reminiscent of quietly and joyfully. To me, basically, gothic music was going nowhere, and cream8 had done it's duty. But being together with Sascha and Jochen was a joy, and they were very gifted musicians. Well. This is how we came up with the decidedly undecided "Touching Groun...

HOW IT ALL BEGAN & state of progress

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 First, there is a new song here: How it all began. It is just a little new thing that has been created. Second: There will be a new CREAMVIII release called THE GO FASTER E.P. . It will contain six new songs and will be published exclusively on MC/analog. More on this in a later post. The production will start Jan 6th, so the release date will be around end of February 2025. The songs are already written and recorded, on two songs the vocals still need to be recorded, then they all have to be mixed and mastered. Third: There will be a new TSU! release. The first (in a series of two) will be "THE BURNING TOWN REDUX" which will feature the 4 original remastered songs from the 1990 "The Burning Town E.P." and 4 newly created versions of these songs, newly recorded. This too will be on MC exclusively and be out end of February 2025. All songs are already recorded. One vocal has to be recorded. All have to be mixed and mastered. Now to the new song "How it all Bega...

The TSU! - Stompin' Crash recordings with Karl Parchow

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 Until 1990 I basically had been an island, writing, recording and taping all the stuff by myself and never gave it to anyone to listen to.  As the gear I used became more and more professional (an Atari-ST with the "1st Track" sequencer by Geerdes running on it and the Casio CZ-1 as well as a Casio RZ-1 for the drums, I finally thought, I could "dare" to expose me to the world.  On the other side, the internal pressure had built up with my life being completely out of control for a few months, so there had to be some kind of (pressure-)release. It is hard to describe, but I was actually "forced" by a power stronger than my own will, to publish some demo-songs. In the small-ads-board at the university I was looking for musicians to cooperate with me and I saw the flyer by Karl Parchow, a drummer who had simple and cheap recording facilities. I phoned him, we got a deal which sounded reasonable and I had 3 weeks to get my stuff together. Frantic re-editing ...